4/17/2023 0 Comments Best movies 2017 horror![]() ![]() The difference this time, says Rolleri, is quality. ![]() All these trends came and went, with a few innovative films followed by a flood of copycats that saturated the market and drove audiences away. And Paranormal Activity and REC launched a thousand, mostly horrible, shaky-camera, found-footage frighteners. James Wan’s Saw (2004) triggered a bloodbath of so-called torture-porn titles, from Hostel to The Human Centipede. The success of Wes Craven’s Scream in 1996 opened the floodgates for a series of self-aware slashers, from Urban Legend to I Know What You Did Last Summer to the Final Destination franchise. How Deafness Is Adding Extra Scares to John Leonetti's Horror Movie 'The Silence' He is now shooting the high-concept feature The Silence starring Stanley Tucci, Kiernan Shipka and Miranda Otto. ![]() “The young audience is a very strong moviegoing audience if you can get them, because they go to the theater in big groups and go out that first weekend,” says director John Leonetti, whose scary credits include Wish Upon and the first Annabelle. On its opening weekend, more than 60 percent of the audience for Happy Death Day was under 25 years old, compared with less than 20 percent for Blade Runner 2049, according to comScore. Those hard-to-please teens and young adults who are staying away from the multiplex can come out in strength for a scary movie. Indie filmmakers also can take advantage of the network of international horror and fantasy film fests, like the Fantastic Festival circuit, to raise awareness and build buzz.Īnother advantage: The demographics of horror skew young. Note the recent success of Jennifer Kent’s Aussie haunted house tale The Babadook or the French cannibal thriller Raw from director Julia Ducournau. Horror, unlike, say, comedy, translates well across national and linguistic borders. Those fanboys are slavishly devoted and, importantly, live all over the world. “Our movies start from $300,000 up to $1 million on the high end.” At that price point, even a film that only appeals to horror fanboys can make its money back selling directly to VOD. “You can often shoot in one location with a handful of actors,” says Rolleri, whose AFM slate includes Jeremy Lutter’s supernatural horror The Hollow Child and the holiday-themed slasher Red Christmas. The appeal of frightening features isn’t hard to understand.
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